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There are lots of misunderstandings about musicians. These misconceptions exist even in educated societies around the world. While they apply to artists typically, our focus here is with music.

One false impression is that the musician has to be a “starving artist” and live a poor lifestyle. Music, just like every other profession, has those who succeed financially and those that don't and people in between. You see rich pop and rock stars and you see buskers with jars on the street. Monetary success is unbiased of talent, and never essentially specific to any one industry either.

An interesting thing to note is that music itself is definitely a comparatively expensive industry as far as professional musicians are concerned. Instruments and different equipment plus their maintenance and in addition areas could be fairly costly. High quality lessons, a crucial investment, will not be precisely cheap. All companies have their overhead and operating expenses. And doing music vocationally falls into this class, therefore it requires proper business acumen and wonderful financial planning to ensure solvency and viability. And there are certainly professional musicians in this world who usually are not “starving” and doing just fine.

One other false concept is that musicians need to be somewhat crazy or unstable, and this has in some way develop into related to talent. Talent stands alone and is its own area.

Oppressive individuals created this false notion in an effort to keep creativity down. Anything good, powerful and inventive threatens sure individuals whose only intention is to destroy. This, by the way, explains the prevalence of medicine in rock music. It's all calculated. Musicians, because they're inventive and inventive, are vulnerable and often targets for suppression.

Musicians, like any other human being, have emotions and feelings. Because they are under more judgement and evaluation, reminiscent of during competitions or academic jury exams, they become more prone to attacks by those that use that as an avenue primarily to harm others, or by those who are merely insensitive. Contradictory evaluations between judges can even cause great confusion.

Being expressive, joyful, insouciant and humorous can all come under the heading of creativity, so this too has also been falsely related to being loopy or neurotic.

Being fairly uninhibited is mostly frowned upon in our society, where we're all anticipated to behave in a certain way, like cattle. When a musician is in a transcendental second, he could appear somewhat loopy to a more abnormal person. A real instance was a composer who was walking down the street and rapidly had a spark of creativity and he began “thinking out loud” with his artistic process, making rhythmic hand and body gestures. Some passersby may need thought there was something mistaken with him, not understanding that he was simply having a transcendental or inventive moment.

One widespread fallacy is that it's in some way okay for a musician to play for free. The “pay to play” concept is unfortunately prevalent. Would one ask a plumber to come fix the sink for free? Not if he needs to get his sink fixed. Believe it or not, an ad was positioned lately in a sure classifieds section from a restaurant owner looking for a band to come carry out at his restaurant for free with the insufficient alternate of “promoting themselves and selling albums”. As silly as this sounds, it's all too common. Music instructors often get requested totally free lessons. While there may be nothing improper with doing volunteer work to assist deserving underprivileged people, that is different. Would one ask an accountant to do taxes for free? Again, same principle.

Another flawed idea about musicians is that their physical look, habits or demeanor has to be uncommon, different or even weird. This gets imposed quite a bit however is unnecessary. It's an incorrect behavior in lots of societies. Image is image and irrelevant to demonstration of talent.

It is usually commonly thought that musicians are overly sensitive and emotionally frail, who collapse easily under the pressures of life. As mentioned earlier, a musician, like any other human being, has emotions and sanity or insanity. However, quite the opposite, the musician has a sure advantage, for music can be a way of healing and venting of trauma and therefore therapeutic to perform. This causes a terrific avenue for aid and usually leads to better mental and emotional security.

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